剧情介绍
On the eve of his fortieth birthday, a man realizes nothing he has achieved in his life has amounted to very much.
Sergey is an attractive man approaching forty who is acutely aware that nothing he has achieved during the better part of his life has brought him any satisfaction. His frantic sprints between his work, his lover and his family, and the constant lies he uses to explain his absence, only tighten the noose around his neck. The three days that separate him from the Big 40 might present an opportunity to change everything, or he might just lose it all instead.... The Soviet update of the literary concept of the "superfluous man," filmed at the end of the Brezhnev Stagnation, was Balayan's most successful title. It was here that he first engaged Oleg Yankovsky, an actor who subsequently appeared in the majority of the director's films; without guile or pathos, he captures the existential dimension and contradictions of the morally questionable hero. The film surprisingly eluded the narrow gaze of the remorseless censors and was thus able to present audiences with a faithful portrayal of the social paralysis that befell the pre-perestroika era. Balayan's plans for a sequel set in the rip-roaring world of 1990s capitalism were abandoned.
自私,矛盾的中年男人,推卸一切逃不掉的。
苏俄百佳补遗。主角成为迷茫空虚一代的缩影,生活中已然再无激情,碌碌无为的精神空虚更是无力摆脱。于是便以发梦式的言论与不负责任的举止,对抗精神空虚的窘境,迷失在籍籍无名的平庸时代之中。
苏俄百佳补遗。3.5。整体反映男主临近中年的困顿彷徨和迷失,干瘪的家庭生活中激情已消耗殆尽,关不住的门、睡不着的觉、琐碎与疏离的磨损,让他丧失了目标。在庸碌中发现了精神上一无所有的恐惧,还未修炼出应对的从容不迫。凌空秋千架、赛跑骑车童,不过是对抗空虚的发泄,甚至温情的情人拥抱也带着离别的味道。从神经质到失控,他的世界降至凛冽。
建筑师游手好闲的生活。男主角长相不讨人喜欢
现在想起来,有点想哭
差点以为是00年代的电影
停滯時代(Stagnation)重要之作。想到Jean Pierre Leaud ,想到媽媽與妓女
情境丰富。
叙事曲
人生在世不称意,腾空放手荡秋千,结果还是不称意,卧艹好像一条狗
4.0。1.电影没有年龄,属于时代也属于永恒。2.人越长大,越找不到自己。3.草垛与雾霭的荒原。4.后半场集体聚会太内涵了,烘染了孤独与狂欢、沉睡与清醒。5.于是,他独自蜷曲入草垛,埋首恸哭。6.我们醒着,却在沉睡,我们沉睡,却很清醒。
6。人到四十更年期,惘荡野营草堆里