剧情介绍
暂无
Czech Photographer Josef Koudelka grew up behind the Iron Curtain and always wanted to know "what was on the other side". Forty years after capturing the iconic images of the Soviet invasion of Prague in 1968, the legendary Magnum photographer arrives in Israel and Palestine. On first seeing the nine-meter-high wall built by Israel in the West Bank, Koudelka is deeply shaken and embarks on a four-year project in the region which will confront him once again with the harsh reality of violence and conflict. Director Gilad Baram, Koudelka's assistant at the time, follows him on his journey through the Holy Land from one enigmatic and visually spectacular location to another. In each location - soon to become a new "Koudelka photo" - a new scene unfolds, gradually introducing us to Koudelka's method of working and his perception of the world he is documenting as well as the people he encounters. A fascinating dialogue emerges between Baram's cinematography and Koudelka's still photographs...
纪实摄影的过程就像这部纪录片一样让人犯困。
敬这令人鼓舞的拍摄欲望
deep and peaceful 历史感 白日梦想家里面的场景enjoy it。构图，层级，期待一个画面。
大师
坐在办公室里盼着不出错不变化的明天的某一天，也会期待寇德卡的人生
要去拍摄，要保持一点儿愤怒。
圣地，摄影，纪行。特写的墙，存在的意义，隔离还是分裂？割据的城市，压抑的人群，静默的建筑，潜藏在黑白影像之下的纷争隐而不发。
未加太多修饰和编排的学生作品，动人的是寇德卡的单纯、专注，还有清醒
大师。我真的佩服他的脖子，挂三台相机，还是两台617一台xpan ，多重啊。
大师
大师
凝重、沉稳、专注。
寇德卡的工作状态。
五星给寇德卡老爷子。老爷子谦逊，勇敢且特立独行。两星给纪录片，节奏慢且毫无营养。
我是在B站上看这部纪录片，总会看到弹幕说自己也可以拍这样的景象。我们在谈论摄影时究竟在谈论什么？一个固定的客观景象存在这个世界中，任何人都能拍出一样的景象，那为什么大师的作品就能称为作品？摄影一方面是在呈现客观世界，但更重要的是摄影者通过相机这个媒介去呈现或投射自己的主观世界，摄影者内心的主观世界才是摄影的本质，这就是普通人和大师的区别。这部片子的1:02:30处的那张照片让我印象深刻，整个城市的房屋随着由沉重混凝土墙构成的河流倾泻而下，平静但又波涛汹涌，河流长712公里。