剧情介绍
弗洛伦斯·马尔（格蕾塔·葛韦格 Greta Gerwig饰），一位低调的格林伯格家族私人女助理。罗杰·格林伯格（本·斯蒂勒 Ben Stiller饰），一位生活混乱又尖酸刻薄的格林伯格家族成员。本该四十而不惑的罗杰，正处在人生的十字路口，于是来到弟弟洛杉矶的居所度假放松。完全身处不同世界，性格也迥然各异的两人，就这样开始了一段看上去并不搭调的爱情生活。
由著名独立电影导演诺亚·鲍姆巴赫执导的喜剧影片《格林伯格》，入围2010年第60届柏林国际电影节金熊奖。 We like Florence: she's considerate, sweet, pretty, and terrific with kids and dogs. She's twenty-five, personal assistant to an L.A. family that's off on vacation. Her boss's brother comes in from New York City, fresh from a stay at an asylum, to take care of the house. He's Roger, a forty-year-old carpenter, gone from L.A. for fifteen years. He arrives, doesn't drive, and needs Florence's help, especially with the family's dog. He's also connecting with former band-mates - two men and one woman with whom he has a history. He over-analyzes, has a short fuse, and doesn't laugh at himself easily. As he navigates past and present, he's his own saboteur. And what of Florence? is Roger one more responsibility for her or something else?
由著名独立电影导演诺亚·鲍姆巴赫执导的喜剧影片《格林伯格》，入围2010年第60届柏林国际电影节金熊奖。 We like Florence: she's considerate, sweet, pretty, and terrific with kids and dogs. She's twenty-five, personal assistant to an L.A. family that's off on vacation. Her boss's brother comes in from New York City, fresh from a stay at an asylum, to take care of the house. He's Roger, a forty-year-old carpenter, gone from L.A. for fifteen years. He arrives, doesn't drive, and needs Florence's help, especially with the family's dog. He's also connecting with former band-mates - two men and one woman with whom he has a history. He over-analyzes, has a short fuse, and doesn't laugh at himself easily. As he navigates past and present, he's his own saboteur. And what of Florence? is Roger one more responsibility for her or something else?
白人电影看多了真的很想翻白眼
整部电影下来，印象最深的就是这句话——受伤的人会伤害别人。
对于角色设置很普遍，我看不出这部探讨爱情和中年危机的电影有什么特别之处，它太普通了。
这个导演的功力跟女主自己拍的片子差远了，除了老戏骨来增加细节，全片几乎没什么亮点，如果是要描述曾经可能辉煌的音乐人落寞人生，怎么会这么pathetic中年男还有年轻美女毫无理由的投怀送抱？要喜不喜要悲不悲
本斯蒂勒的，敏感的，暴躁的，对人不友善的，沉浸在自己世界里的，也许我也是这样的人，对普通人来说很容易的事，在我们这里十分困难，比如道歉。
喜欢
看
观感一般。这部就是太散了，男女主都是那种对社会极其不适应的小孩，只不过男主四十多了，女主二十多，关键男的更烦人、更事儿逼。于是，女主成了老男人喜欢的那种可爱、大胆、主动的小姑娘，主动来救赎男主于一地鸡毛。没劲。
昨天学到新的观点，对社会新闻不关心，不公益，没有同理心 不善良不勇敢。作为人类的优秀品质都没有的话，更没有精神共鸣，那还有什么好喜欢 好崇拜的呢？ 太聪明，且把这些“聪明“充分考虑到自我个体上，就显得格外的刻薄太精致的利己了。
格蕾塔·葛韦格登场了 好灵动…
hurt people hurt people…
一开始Greta的部分都是挺好的，直到男主角出现后就开始一路变得很奇怪、很老套，两人的关系也没什么亮点，是不是全靠狗在维系。
补标
展现了单身中年男子枯燥乏味的生活和渴望激情的幻想，以及对生活的厌恶，麻木。
本斯蒂勒总给人一种精致的利己主义者的感觉