剧情介绍
John Dillinger and his gang go on a bank robbing spree across the midwest, but one G-Man is determined to bring him down
After a shoot-out kills five FBI agents in Kansas City the Bureau target John Dillinger as one of the men to hunt down. Waiting for him to break Federal law they sort out several other mobsters, while Dillinger's bank robbing exploits make him something of a folk hero. Escaping from jail he finds Pretty Boy Floyd and Baby Face Nelson have joined the gang and pretty soon he is Public Enemy Number One. Now the G-men really are after him.
70年代好莱坞电影。约翰 米利厄斯（反文化电影行家）。无资源
John Milius的导演处女作，虽说是制片公司AIP分配的命题作文，拍一部大萧条时代Dillinger匪帮的枪战片，但观感远胜于日后迈克尔·曼同题材的《公众之敌》。Pretty Boy Floyd赴死前的遗言，堪称Milius那种草莽英雄、热血男子汉式的招牌金句。胡佛生前曾关注过这个项目，担心过于抹黑FBI形象，甚至写了份声明提醒观众。电影全片结束后可以听到这份声明，可惜不是胡佛本人的声音，他在电影开机前因心脏病去世。
Decent folks don't live that good.
[中国配音网]中文字幕
没有讲具体事件，基本上是枪战+怀旧模式，枪战写实，惨烈。
3.5 英字magnet:?xt=urn:btih:71177A4D3776A40A4BF67B3A4D4F58689DEB050E&dn=Dillinger-1973-1080p-BluRay-x264-SADPANDA-rarbg-暴大名的劫匪和跟劫匪抢头条的G-Man，没用对比剪辑加强对个人英雄主义的这两种诠释相当可惜，Warren Oates的角色塑造只有台词不见动作和G-Man相比单调太多
历史早已盖棺论定，还原大萧条时代下动荡的江湖腥风血雨，则是个不简单的技术活儿。警匪阵营脸谱鲜活之余得突出醒目的标记；场面上的设计拍摄更得有紊不乱具有层次和立体感。所幸这个糅合拿捏都是比较成功的，贯穿连接的记录片段和照片，以及熟悉的民谣，是影片值得加分的元素。
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