剧情介绍
金发少女安杜拉（Hana Brejchová 饰）是一个在捷克某小镇制鞋厂工作的女孩，青春年少的她和同龄人一样渴望一段浪漫完美的爱情，但在这个男女比例严重失调的小镇上，她的愿望似乎有些渺茫。镇上的青年汤达（Antonín Blazejovský 饰）展开爱情攻势，然而始终无法获得安杜拉的芳心。某天，偶然流浪于此的青年钢琴家米达（Vladimír Pucholt 饰）适时打开了安杜拉的心扉，她和这个来自布拉格乐团的文艺青年度过浪漫激情的一夜。从此以后，安杜拉对米达念念不忘，更决定启程前往布拉格寻找爱人。她要的是真挚的爱情，而米达却只当那是一夜的露水姻缘……
本片荣获1967年丹麦波迪奖最佳欧洲影片奖、1967年芬兰胡西奖最佳外语片导演奖。 A factory manager in rural Czechoslovakia bargains with the army to send men to the area, to boost the morale of his young female workers, deprived of male company since the local boys have been conscripted. The army sends reservists, mostly married middle-aged men - and the local beauty Andula, spurns those bold enough to try to win her, for the jazz pianist, newly come from Prague to perform. He seduces her and impresses her, telling her "most women are round, like guitars but you are a guitar by Picasso". Staying the night with him causes a lecture on a young woman's honour at her hostel so she throws over her other suitors and makes her way to Prague to find the young man. His protective Mamma and weary Pappa are not pleased when she arrives on the doorstep with her suitcase.
本片荣获1967年丹麦波迪奖最佳欧洲影片奖、1967年芬兰胡西奖最佳外语片导演奖。 A factory manager in rural Czechoslovakia bargains with the army to send men to the area, to boost the morale of his young female workers, deprived of male company since the local boys have been conscripted. The army sends reservists, mostly married middle-aged men - and the local beauty Andula, spurns those bold enough to try to win her, for the jazz pianist, newly come from Prague to perform. He seduces her and impresses her, telling her "most women are round, like guitars but you are a guitar by Picasso". Staying the night with him causes a lecture on a young woman's honour at her hostel so she throws over her other suitors and makes her way to Prague to find the young man. His protective Mamma and weary Pappa are not pleased when she arrives on the doorstep with her suitcase.
淡淡的忧伤
4
好好看 全程笑死 这学期上了一节捷克电影课 每周三晚上大家集体看电影 那么我这学期应该将要看14部捷克电影 笑死
怎么这么多影人都拿这张cc碟，这就有点好奇了。为爱所困又迷茫懵懂的女孩啊，不要守着露水情缘以为是真爱啊！
一个关于社死的，喜剧片
女人就像平民一般只能任人宰割
难以捉摸的、离经叛道的浪漫小调调令人心动，这是新浪潮的闪光点吗
80分钟版。男女比例失调整整延长了近二十年，或许是需要回溯的时光。盲目的女工，浪荡的艺术男青年，循规蹈矩的工人家庭，百无聊赖四处猎艳的中年军官。这段特殊的历史，往东面远眺又仿佛提早了二十年。
天，很难想象福尔曼也拍得出飞越疯人院这类死气沉沉的电影
政治化最弱的一部呈现确实作品里最喜欢的。巧妙的组合永远看不腻
7/10
3.5
267/365days。一般，挺松散的，到差不多一半才进入正题，无知少女被骗炮，还全是洁身自好的女性规训，说是勇敢追爱，其实是失去贞洁后的委曲求全，这跟爱都没一点关系。听到了莫斯科郊外的晚上。
叙事节奏是舒服的：浸泡在安逸的蜜罐里，生长出一种迟缓阴沉、半死不活的纵乐。福尔曼仍是那般戏谑和幽默，子与母对待安杜拉相同的口径与流程——一边是轻慢的引诱，一边是严厉点规训，撕扯出一种背反的罅隙。然而我很难逃脱出凝视之下引诱者的身份代入，安杜拉太天真太痴了，好像是色情漫画的女主——一副天真态、无知态，却也因为无因的迷恋动人起来。
意大利新现实味儿太浓，逊于两年之后的《消防员舞会》，尤其在剧作方面，有些场景甚至让我想起帕索里尼（或许是我的错觉）。舞厅场景与《消防员舞会》取景一致，演员也有很多重合，果然一个优秀的场景（指实景）可延伸出太多。