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Leslie Swayne, an adventurer, in order to obtain enough money to satisfy the needs of his extravagant life, has been bribed to steal the plans of the fortification from the staff officers of the Grand Duchy of Wallenstein. This undertaking, which at one time would have seemed difficult to him, becomes very easy, due to the friendship between himself and Colonel Julius Holbein, chief of the staff, and father of Elsa, for whom Swayne has shown a great deal of friendship, and in return he has Elsa's sincere love. After a dinner held at the Colonel's, during which the villain Swayne whispered sweet words of love into Elsa's ear, he succeeds in stealing the desired documents, and, protected by the darkness of the night, he escapes. Overcome by the sad reality, the Colonel is in a desperate state of mind. Elsa tries to efface from her mind her terrible suspicions, but in going to the hotel she learns of the sudden departure of Swayne, and her suspicions are confirmed. Colonel Holbein, to ...
空間調度如此地大膽！
Mario Caserini执导，他的上一部作品是《庞贝城的末日》。该片确立了意大利女神电影（diva film）这种类型的地位，使Lyda Boreli迅速成为最著名的女神之一。
意语intertitle无翻译……表演和空间太震惊，简直是见过的最深的室内景深。
用三面镜展现画外空间，空间多样，室内室外交替，场面调度和特写镜头都有不错表现，在全景中克制地表现人物（尤其女主）激烈的心理活动，较为克制而非煽情。
Festival Lumiere2014第六片。cine-concert，钢琴配乐在三个不同的段落加上现代爵士的女生唱腔，感觉有些出离，但唱得是真好听。第一次看意大利10年代的长片。固定镜头的景深的挖掘和空间的拓展（帘布拉开；化妆间镜子的反射），客厅一场前景后景同时有戏。
Toute la mémoire du monde 2013 Restauré par la Cinémathèque de Bologne, le Musée National du Cinéma de Turin et la Cinémathèque Italienne de Milan. Séance présentée par Gian Luca Farinelli.
第一部diva film。主题的表现不够充分但空间调度颇为大胆。开场就有一6分钟长镜内起承转合涉及相当复杂的调度并几次有重要action发生在大后景几乎看不清。之后还利用了镜中空间。特别2/3处一个镜头人物都出画后突然又出现在镜中颇有意思。 但也因注重空间而多用全景导致女神Lyda的演技未能充分表现。