剧情介绍
二战期间，多达20万女性被强迫成为日军慰安妇。《等不到的道歉》深入追踪三位来自中国、南韩及菲律宾的老太太，细述当年被迫为慰安妇经历；即使皱纹满脸，步履蹒跚，她们仍坚强乐观，坚持四处奔波指证七十年前日军的罪行，只希望于有生之年获得日本政府道歉，或鼓起最后的勇气与亲人分享这秘密。
一场与时间竞赛的社会运动，三位老太太就是最有力的证人。《等不到的道歉》拍摄七年，自2016年世界首映，巡回欧美加放映，感动人心。 The Apology follows the personal journeys of three former "comfort women" who were among the 200,000 girls and young women kidnapped and forced into military sexual slavery by the Imperial Japanese Army during World War II. Some 70 years after their imprisonment in so-called "comfort stations", the three "grandmothers-Grandma Gil in South Korea, Grandma Cao in China, and Grandma Adela in the Philippines-face their twilight years in fading health. After decades of living in silence and shame about their past, they know that time is running out to give a first-hand account of the truth and ensure that this horrific chapter of history is not forgotten. Whether they are seeking a formal apology from the Japanese government or summoning the courage to finally share their secret with loved ones, their resolve moves them forward as they seize this last chance to set future generations on a course for reconciliation, healing, and justice.
一场与时间竞赛的社会运动，三位老太太就是最有力的证人。《等不到的道歉》拍摄七年，自2016年世界首映，巡回欧美加放映，感动人心。 The Apology follows the personal journeys of three former "comfort women" who were among the 200,000 girls and young women kidnapped and forced into military sexual slavery by the Imperial Japanese Army during World War II. Some 70 years after their imprisonment in so-called "comfort stations", the three "grandmothers-Grandma Gil in South Korea, Grandma Cao in China, and Grandma Adela in the Philippines-face their twilight years in fading health. After decades of living in silence and shame about their past, they know that time is running out to give a first-hand account of the truth and ensure that this horrific chapter of history is not forgotten. Whether they are seeking a formal apology from the Japanese government or summoning the courage to finally share their secret with loved ones, their resolve moves them forward as they seize this last chance to set future generations on a course for reconciliation, healing, and justice.
在艺术创作方面暴打《二十二》之流，作者有着很难得的执着
老奶奶们，很勇敢坚强，请历史给她们一个说法吧！
哭惨我了，那个时代的悲哀
和二十二完全不一样的切入点讲故事。很真诚很让人感动的电影。
比起『三十二』里过于注重讲述苦难，这部给出了更好的处理方法。或许是同为女性的导演更能共感，片子洋溢着温暖与关怀，跨越了一切的女性主义是令人感动的。不再是单纯地将她们作为一个个苦难的符号，而是真正将她们作为一个人来对待。五年的拍摄制作，也使得本片不再是新闻采访式的蜻蜓点水，而是更多的介入与挖掘。看到她们都能和自己与亲友和解，能卸下重担展露笑容，我感受到了纪录片导演的力量与魅力。
哭死我了，在想只是告诉我们你受到伤害而后续从未跟进，像工具一样
二十二看完之后就听说了这个片子，当时苦于没有资源，今天突然想起来了，就抱着生肉看完了。为韩国的金奶奶感动，她太坚强了，一遍一遍地把自己的伤口揭开来给世人看，也为菲律宾的Adela奶奶落泪，其实你的孩子好爱你的，或许你可以早点说出来分担一点悲伤，也为我国的这些沉默的奶奶们心碎，你们太苦了，我们知道的太晚又做的太少，希望你们都可以来世做一个平安顺遂的普通女人，重新看看这世界。
難過死了，為什麼啊嗚嗚嗚～你們才是受害者才是應該被所有人心疼的人啊～為啥覺得自己犯了錯～萬惡的日本人。願世間所有遲來的美好與溫暖都降臨到她們所剩無幾的最後的餘生中。
止不住地哭
导演组的人拍摄这部片真的很有心了，致敬；慰安妇的问题得不到道歉，这不就是赤裸裸的谎言么，人民给你制造法律的权力是为了签订文明和谐的契约，为了人类光明的未来，而你们连承认错误，承诺文明的勇气都没有，这不明摆着以谎言集权，连初衷都忘了么；人类在战争中表现出的人性丑恶是真实的，但人民选择和平就是为了消除这种陋习，以文明法制的公平让更多的生命去体验幸福，如果不承认这种恶臭是存在的而决心消除改进，那文明的意义何在，人类的安全感你们永远给不了。
中国慰安妇占所有慰安妇几近一半，抗议游行却让给了韩国人去做，只要我们还有一个人，也要等到日本政府的道歉！！
勿忘历史…
影片充分发挥了纪录片相对于剧情片的优势，导演和人物建立了亲密的联系，人物得以表达出对别人难以启齿的故事，导演才得以拍摄出了人物的内心世界，也才使得影片具有很强的人情味和感染力
好多慰安妇题材都是韩国拍的。
😢😭😭😭