剧情介绍
故事开始于1958年，战争带来的创伤渐渐被时间修复，但有一些伤口却永远都不会愈合。平野皆实（麻生久美子 饰）在战争中失去了父亲和妹妹，如今同母亲富士见（藤村志保 饰）一起过着相依为命的生活。打越丰（吉泽悠 饰）是平野皆实的同时，他深深爱慕着善良的皆时，然而皆时却并不愿意接受他的爱意。终于，打越丰的温柔化解了皆时心中的伤痛，正当两人决定交往之时，皆时却发现自己身上出现了原子弹辐射所带来的症状。
一晃眼五十年过去，发现父亲行踪诡异的石川七波（田中丽奈饰）决定跟踪父亲一探真相，在途中，她偶然邂逅了弟弟的女友东子（中越典子 饰），两人结伴而行，在意外之中发现了父亲隐藏多年的秘密。 "Thirteen years afterward, I wonder if those who bombed Hiroshima are looking at me and saying: 'We did it. We were able to kill another person!' They should be," murmurs Minami (played by Kumiko Aso), one of the two leading female characters in Yunagi no Machi, Sakura no Kuni, as she lies dying in 1958, her life brought to a premature end by sickness resulting from her exposure to atomic bomb radiation.This is a story about those who at least initially survived the first U.S. atomic bombing of 1945 and their descendants in contemporary times. Nanami (Rena Tanaka), the leading female character in the contemporary part of the film, is the daughter of Minami's brother, Asahi (Masaaki Sakai), who had evacuated to Ibaraki Prefecture when Hiroshima was bombed. An ordinary 28-year-old, Nanami has no idea about her dad's past or the existence of her late aunts, but she finds out about them when she follows her father to Hiroshima one day, suspicious of his unusual behavior.
一晃眼五十年过去，发现父亲行踪诡异的石川七波（田中丽奈饰）决定跟踪父亲一探真相，在途中，她偶然邂逅了弟弟的女友东子（中越典子 饰），两人结伴而行，在意外之中发现了父亲隐藏多年的秘密。 "Thirteen years afterward, I wonder if those who bombed Hiroshima are looking at me and saying: 'We did it. We were able to kill another person!' They should be," murmurs Minami (played by Kumiko Aso), one of the two leading female characters in Yunagi no Machi, Sakura no Kuni, as she lies dying in 1958, her life brought to a premature end by sickness resulting from her exposure to atomic bomb radiation.This is a story about those who at least initially survived the first U.S. atomic bombing of 1945 and their descendants in contemporary times. Nanami (Rena Tanaka), the leading female character in the contemporary part of the film, is the daughter of Minami's brother, Asahi (Masaaki Sakai), who had evacuated to Ibaraki Prefecture when Hiroshima was bombed. An ordinary 28-year-old, Nanami has no idea about her dad's past or the existence of her late aunts, but she finds out about them when she follows her father to Hiroshima one day, suspicious of his unusual behavior.
感慨原爆之后的创伤可不可以？当然可以，也不必太苛责一提原爆必须反思对吧。故事本身就是一个战后伤痛的故事，表现地一般般，即使不是原爆也可以说的。但是要注意，这主题绝非反战。用这个点去理解战争或战后伤痛题材的电影是反战败而非反战就非常有说服力。值得一提的是，田中追逐父亲脚步追忆过往，这不是第一次，这可以说是沉重版本的“初恋”
日本的二战题材电影，但是终究逃不过那句“为什么是广岛”，全片充满了为什么，却又少了反思。
卖惨
心灵创伤与地球社会上老师推荐看的影片，战争给人带来的伤害是身体上精神上双重的
描述广岛原子弹爆炸对日本平民生活的深远影响，走的是温情路线。但剧本偏弱，导演也普通，导致演员也没能发挥，很一般的片子。
讲真的 日本拍这个表现他们受的战争之苦 何必呢 为什么不拍拍关于侵略方面比较黑暗的事情呢 中国在战后的创伤更甚！
命题是“战争的罪过为什么要广岛人民承受”，可惜重点只在后半部分。
又听到那句 为什么是广岛呢。过犹不及，其实伤疤镜头就很心悸，何必渲染堆砌。
西武电车与记忆中的广岛
旬报十佳有些说不过去
讲述被原子弹所波及到的日本民众的生活！反战题材的佳片！不得不提的是麻生久美子，本不喜欢长脸女子的本人，却原因她的气质和声音，尤其对于这类女子兴趣大增！
当夕风再吹时,我要回到妈妈的身旁.
本科看的。主题是反战。旧时代那个悲情女孩的故事片段很美。
让我对麻生久美子印象有所改观的一部片，加一星给她。至于其他，真的可以说是毫无亮点，细节挺生硬的吧，抛开其他，就战争元素来说和萤火虫之墓真的是没得比。
本作也难逃霓虹二战题材电影的通病，不见自省反倒是充斥着狭隘的自怨自艾。好在本作尽量淡化了对米国原子弹的仇恨，尤其是樱之国部分，田中丽奈的角色更多地体现出对人生、未来的美好向往。可惜夕岚之街部分，虽然Kumiko的角色我见犹怜，但是编剧廉价的煽情让人无从悲伤。