剧情介绍
将不久于人世的母亲,在病榻上请凯莎到挪威去把父亲汤玛士找来做戒酒医治,也希望临终能再见一面。汤玛士是个酒鬼,自从十年前母女搬离奥斯陆,凯莎就没有再见过这位父亲,与母亲的关系也一样疏远。但是对于母亲最后的心愿,凯莎无法拒绝,即使她完全对父亲没有任何期待或感情。找到父亲并不难,但是带他“回家”则非易事,父亲的脾气和酒癮让她在归程中吃尽了麻烦,也让凯莎看见了自己的软弱。顺着苏格兰高地起伏的公路,这对争执不休的父女有能力找到回家的路吗?
Kaisa is a Scot, a successful London lawyer, who snorts coke and has one-night stands with strangers. Her mother calls from Aberdeen with some story begging her to fly to Norway and collect her alcoholic dad whom she hasn't seen in years. The impatient Kaisa reluctantly agrees. The story is a ruse: mom is dying and wants her ex and her daughter together again. The trip gets complicated (dad is too drunk to fly and the hot-tempered Kaisa gets them banned from the airline): they go by ferry then car, needing a great deal of help along the way from a sweet lorry driver named Clive. Will they reach Aberdeen before mom's death, and will Kaisa find any stability within herself or in others?
标记Lena Headey
78/100
最后女儿到监狱去看父亲,他让女儿像小时一样双脚踩在他的脚背上,跳起舞来。如此动听的歌声、如此动容的场景,掩不住人世间亲情的愁肠、无奈和悲哀。
2019225 配乐的空灵让这场赤裸裸的、抛开“道德”的父女修复之旅变成了一个北欧式童话。
斯特兰·斯卡斯加德
it sucks to be the one left behind. Always remember to be the one leave. Never contact again after you leave.
兰普林第二次入围卡罗维发利电影节,伊恩·哈特获最佳男演员,
亲情公路片,女儿和酒鬼老爹踏上探望癌症母亲的旅途,状况不断。Chet Baker的歌曲好评,原声音乐出色,奇怪的是女主的口音,明明是英国人为什么要带挪威口音?而她的爹妈却说得一口纯正英语。
竟然扒出来了..king's college的书架还是那么美。等待生命结束,对于有些人来讲是一个不耐烦的过程,所以选择手动结束它。
为狠而狠,为残酷而残酷,为动情而动情,为圆满而圆满。爸爸形象塑造失败,人物都硬邦邦的,编的痕迹太重,七荤八素都往里塞。写极端不正常的人容易简单化,不如拍成类型片。
作曲也是要挑音乐的。第二次通过他的配乐找到好电影了。爱,是一种需要学习的能力。
看完之后感动了好久。很喜欢I am your only father you ever had,You are my daughter.Nothing can change that.
晴天好像很少
很阴郁的家庭伦理片,或许是11月2日这个日子太阴郁。