剧情介绍
在这个世界上，总有一些人因为他们的特立独行而被人铭记。杨（马克斯·冯·西多 Max von Sydow 饰）和伊娃（丽芙·乌曼 Liv Ullmann 饰）是一对个性独特的音乐家夫妻，战争的到来摧毁了他们赖以生存的家园，为了躲避战乱，两人乘船来到了一座小岛之上，在那里，夫妻两过上了日出而作日落而息的田园生活。
好景不长，战火很快就蔓延到了小岛上，军队和紧接而来的游击队打得不可开交，杨和伊娃好不容易得来的平静生活再度面临巨大危机，好在有好友雅克比（甘纳尔·布耶恩施特兰德 Gunnar Björnstrand 饰）慷慨地出手相救，他们才得以脱离险境。然而，令杨无法接受的是，雅克比在身为恩人的同时竟也是他的情敌，他和伊娃之间并不纯洁的关系令杨心中妒火中烧。 During civil war, two musicians retreat to a rural island to farm. They are apolitical; a neighbor sometimes gives them a fish; wine is a luxury. They love each other, but there are problems: the war upsets Jan, he is weepy, too sensitive; Eva wants children, he does not. The war suddenly arrives: rebels attack, neighbors die. When the other side restores order, Jan and Eva are arrested as collaborators. After frightening and roughing them up, the local colonel releases them; then he begins appearing at their farmhouse: to talk or to pursue Eva? He gives her money. The rebels return; chaos ensues. Jan becomes violent and murderous; they flee. Can they escape? If so, to what?
好景不长，战火很快就蔓延到了小岛上，军队和紧接而来的游击队打得不可开交，杨和伊娃好不容易得来的平静生活再度面临巨大危机，好在有好友雅克比（甘纳尔·布耶恩施特兰德 Gunnar Björnstrand 饰）慷慨地出手相救，他们才得以脱离险境。然而，令杨无法接受的是，雅克比在身为恩人的同时竟也是他的情敌，他和伊娃之间并不纯洁的关系令杨心中妒火中烧。 During civil war, two musicians retreat to a rural island to farm. They are apolitical; a neighbor sometimes gives them a fish; wine is a luxury. They love each other, but there are problems: the war upsets Jan, he is weepy, too sensitive; Eva wants children, he does not. The war suddenly arrives: rebels attack, neighbors die. When the other side restores order, Jan and Eva are arrested as collaborators. After frightening and roughing them up, the local colonel releases them; then he begins appearing at their farmhouse: to talk or to pursue Eva? He gives her money. The rebels return; chaos ensues. Jan becomes violent and murderous; they flee. Can they escape? If so, to what?
79/100.这是否是伯格曼最大制作的影片之一？战争的经过燕雀无痕，唯独留下断壁残垣，满江尸体，破碎的两颗心，一船无助的人。
比起Shame（羞耻）这片更应该叫Angst（焦虑），一切都在推人走向焦虑的顶点
整部影片叙事流畅，没有拖泥带水之感，镜头与镜头，场景与场景之间衔接的自然灵活
我人已经傻了，各种安排好的矛盾和冲突，伯格曼你到底想说什么，你的心是有多挣扎？后期男主的表现让我想到了《大路》，最后一段画面，又想到《樱桃的滋味》，也是一排士兵在阳光下，但却是尸体在水面波光粼粼
戏剧冲突这么强烈，很不伯格曼啊。这是一个非伯格曼也能拍出来的电影，当然仍是好电影。他们仓惶逃窜在死亡之海时，张力达到了顶点。可惜看过《丽芙与英格玛》，导演当时正与女主感情危机，公报私仇，在冰冷的海上他自己裹得严严实实却让俩衣着单薄的主角NG无数次，非常破坏观影情绪，只想乐。
伯格曼非常类型化的影片
一张纸缓缓燃烧殆尽。一旦跨越了那条线。
一般，无病呻吟
战争之下，活下去的倒显得羞耻。伯格曼最擅长表达歇斯底里。
还行
《豺狼时刻》有关于“在黑夜与黎明交替之际，死亡与邪灵当道的时刻，婴儿诞生、充满希望的时刻”的联系与解读在此不再赘言。而《羞耻》对战争与人性的阐述，则更能契合那一年的“主题”。哪怕这是伯格曼唯一一次对于未来的叙述，却恰好能与1968年的特殊性产生一些饶有意味的共振，反正在这场面目模糊却又似曾相识的战争中，模拟出来的生态完全适用于古今中外。
羞耻的载体？宏观微观、集体个体、外在内在
滑稽的杨
战争放大了人性所有的恶，让人毫无羞耻可言……
枯燥无味