剧情介绍
暂无
Roberto is a dandy!An unmoved, inscrutable and thus enigmatic man. He enjoys the aristocratic amusement of astonishment.Women, whom he knows full well in all sorts of styles and races, can no longer surprise him.The truth is that Roberto feels the intimate tedium of those who have exhausted all the delights and pleasures of this life.Yet... One evening,he is intrigued by a woman who reminds him of someone.That night, of descent into heaven and rising to hell, this woman discloses the peculiarity of the life that has become hers.And amidst the terrible overwhelming, Roberto witnesses the sublime horror into which that woman has dropped.He leaves closed within himself,unsettled by the glimpse of a certain love that,after all,he never has lived.
MUBI ｜ 从场景设置到剪接，从人物形象到台词，除却一种古典式的画面——导演努力使其呼之欲出，继而成为其独树一帜的风格，这一点在《葡萄牙女人》也可观得——整部电影浅显、薄弱、拖沓且重心紊乱。古典电影美学并非单表现为呈现出来的外观，其道德内涵理应“古典地”撼动人心，恰如古时的悲喜剧。参考92年的《安提戈涅》。电影的类纯诗形式必无法与性质相等的内核剥离，否则，作品最终只得飘荡荡如同雅观却空心的帐篷。
从艺术学生角度来看，画面优美，配色和谐，这是个5星的片子。从电影角度来看，太过于拖沓，节奏过慢，喜欢古典油画的朋友可以看看
刺箭掏心犬口夺
MUBI，我不知道我看了什么。
妆发、服装、打光、构图都是油画的质感 不过在场面调度和剪辑上都是闷片的走向
"we stayed together hours and hours, able to do anything...and wanting nothing. We lived in plentitude, we lived in the blue of the skies"
MUBI.
+.5，整体拍法与鲁兹、奥利维拉、尤金·格林的一些作品几乎无区别，只不过节奏过于迟缓了，局部丧失最重要的律动感。
3.5
沒有人看過。。影迷原來要看得下悶片的。。