剧情介绍
暂无
This film is one of the most magical to come out of Africa, hardly surprising since Madagascar is unlike anywhere else on earth. Raymond Rajaonarivelo follows his epic first film on the Malagasy liberation struggle, TABA TABA, with a very different, poetic film exploring the relationship between traditional and modern concepts of human freedom. As the title suggests, Rajaonarivelo frames his film around three visual symbols or leit motifs, sky, sea and, by implication, the land marooned between them or life between birth and death. Set among the island's high mesas, all the major characters dream of escaping this parched interior to return to the oceanic mother, Rano Masina or "sacred water" in Malagasy. Rajaonarivelo characterizes life in the arid highlands, whether in the superstitious village or the corrupt city, as unremittingly predatory. The hero of this film is such a child; his mother died in childbirth but he is rescued from his fate by a young, childless woman and named ...
我能说点什么呢，反正不想看第二次。
抱着好奇心去看个新鲜，这是马达加斯加很落后的部落里的故事，野蛮粗犷愚昧普通，重要情节全靠主角光环招雷唤雨来推动，也的确够猎奇的，标签应该再加个奇幻
？？？
在影视剧里把自己的文化妖魔化是种文化不自信的行为。电影拍的很稚嫩，缺乏一气呵成的能力。偶尔一些镜头和配乐还不错，反而使缺乏整体感的缺点更明显
莫名其妙，拐杖上天那块差点要唱出西游记片头曲了。
文化差异吧，觉得莫名其妙。