剧情介绍
本影片由派翠西亚·海史密斯的一部快被人忘记却相当有趣的小说改编而成。蒙冤坐牢五年的丈夫刑满释放，可回到家中，他却发现了一系列与妻子有关的秘密，旋即坠入嫉妒泥潭，不可自拔。影片巧妙地展现出被嫉妒之火毁灭的过程，悲伤的结局令人唏嘘不止。影片中男女主角的表现堪称精准，令人佩服。
The architect Phillip Braun is framed by his former employer Lasky that embezzles the money that should be used to buy suitable material of a construction that collapses, killing a person. Phillip is wrongly imprisoned and for five years his lawyer David Reinalt is not capable to prove that Lasky is the responsible for the accident. When Phillip is released, he meets his beautiful wife Lisa Braun and then his son Timmie. Soon Lasky seeks Philip out to poison the relationship of his wife with David. Lisa is very close to David and Phillip becomes suspicious of their friendship. David finds a job for Phillip with a friend of him and he tells that Lasky is pressing him because he is still trying to prove Phillip's innocence. Soon Lisa confesses to her husband that she had a brief two-week love affair with David a long time ago when he was in prison, but now they are only friends. Phillips is disturbed with the revelation and his jealous increases while Lisa frequently visits David. One day, Phillip visits David and he tells that he has just saved his life since Lasky was trying to kill him. But Phillip kills David with a statue and cleans his fingerprints. Lasky and Phillip becomes the prime suspect of Police Commissioner Österreicher. However, Lasky had bugged David's apartment and he blackmails Phillip with an audio tape. What will Phillip do?
可怜又可恨
无辜的人被迫蹲监狱五年，出狱后对于妻子出轨对象进行报复，最终成为真正的犯人。从头顶的打光，让人的脸总有一半隐匿在黑暗中，也像是男主的精神状态飘忽又不稳定。从监狱出来的他仿佛身在玻璃牢房，愤怒、嫉妒、绝望交织在一起。从沉默到爆发。电影中追问个人道德责任和社会精神状态。
男主是《歌厅》里的男爵
一部78年的彩色片，不论是从制作还是从色彩上看，都比今天的大多数的电影优秀太多。男主（卧槽居然是演人体蜈蚣的）的演技从很多细节上很好的演绎了面临妻子和自己的律师出轨的纠结和痛苦。
剧作满分，海史密斯太棒了。
苦逼绿帽男开杀戒转运，妻子全程无辜配合。
gläserne Zelle片如其名 海史密斯的剧本但是拍出了典型德国片的样子镜头仍然切得太快 老柴缓慢的船歌扮演了重要角色 罪犯如纤夫 一生负重举步维艰
故事的确老套，出狱后面对的是更加压抑的无形牢房，但演员各种细节却很有张力。结尾的相拥太多含义了
踏踏实实的故事片。不过几段配乐好怪
只能说男主前段苦逼到极致，后段又开挂幸运到极致。
3.5入；气氛与色彩均非常阴沉压抑，与角色的情绪十分吻合，表演精湛；从实体监狱到无形玻璃牢房，受困的愤怒，嫉妒的绝望，一经点燃便再无法熄灭；几方人物的心理变化描摹入微，悲剧的发生并无戏剧化，在沉默中渐次酝酿到爆发。
嫉意与自卑引发疑心暗鬼直至升级爆发，不太复杂的心理片情节剧。我看完的主要原因是Robby Müller掌镜。居然是当年德国本土最佳影片并选送奥斯卡角逐。
这部心理动机安排强烈的室内犯罪剧将派翠西亚·海史密斯原著中的纽约背景移植到法兰克福，深入细致地表现了无辜判决导致的群众对出狱的受害人的不信任令其最终成为真正的凶手的过程，有形的监狱和无形的玻璃牢房的对照成功地将对个人道德责任的追问转化为对社会和精神根源的调查。
原著 海史密斯啊