剧情介绍
希斯克利夫(豪尔赫·米斯特拉尔 Jorge Mistral 饰)是一名被遗弃的孤儿,所幸被好心的农场主收留,才得以健康成长。农场主育有一儿一女,名为亨得利和凯瑟琳(Irasema Dilián 饰),随着时间的推移,希斯克利夫和凯瑟琳之间的亲情逐渐转变为了爱情,农场主对这一段佳偶天成亦是十分满意,只是亨得利将这一切看在眼里,心中充满了愤懑。
农场主死后,家业落到了亨得利的手中,他设计逼走了希斯克利夫,又欺骗凯瑟琳说她的爱人已经死去,伤心的凯瑟琳只得另嫁他人。多年之后,事业有成的希斯克利夫回到了家乡,面对眼前物是人非的一幕幕,他决定要亲手夺回本该属于自己的一切。 Gone several years, the brooding Alejandro returns to the hacienda of his foster sister, Catalina, whom he loves, to find her married to the wealthy and effete Eduardo. Alejandro hates Eduardo and Catalina's brother Ricardo; he's rich now and has a lien on the drunken Ricardo's ranch. He also wants Catalina to run away with him. She loves him as if he was her soul, but she also loves Eduardo and is pregnant, so she won't leave. She wants Alejandro to stay nearby, a soul mate, but he, ruled by instinct and passion, stays only to hurt her. He woos Isabel, Eduardo's impressionable young sister. The passions of impossible love and corrosive hate play out against Mexico's barren high chaparral.
农场主死后,家业落到了亨得利的手中,他设计逼走了希斯克利夫,又欺骗凯瑟琳说她的爱人已经死去,伤心的凯瑟琳只得另嫁他人。多年之后,事业有成的希斯克利夫回到了家乡,面对眼前物是人非的一幕幕,他决定要亲手夺回本该属于自己的一切。 Gone several years, the brooding Alejandro returns to the hacienda of his foster sister, Catalina, whom he loves, to find her married to the wealthy and effete Eduardo. Alejandro hates Eduardo and Catalina's brother Ricardo; he's rich now and has a lien on the drunken Ricardo's ranch. He also wants Catalina to run away with him. She loves him as if he was her soul, but she also loves Eduardo and is pregnant, so she won't leave. She wants Alejandro to stay nearby, a soul mate, but he, ruled by instinct and passion, stays only to hurt her. He woos Isabel, Eduardo's impressionable young sister. The passions of impossible love and corrosive hate play out against Mexico's barren high chaparral.
死亡才能让爱情圆满
两男两女,四角之恋。叙事清晰紧凑。不疯魔不成活,疯狂毁灭之爱之探讨、刻画、表现…
还是get不到呼啸山庄。本来说放弃这个计划的,怕它沦为商业电影
寡淡
太普通了 戏剧性太强不适合布努埃尔啊
“只有死亡才能让爱圆满”;决绝之爱,用力过猛,每个人都足够疯狂;
太快了,很着急的样子。人物也比原著直白了很多,没有含蓄和隐秘的感觉。
威信简9
7.3/10。①农场主有三个后代(养子A、女儿B、儿子C),A和B相爱,但因为C的阻止而无法在一起,B因此被迫嫁给他人(且结婚前告诉他了这件事)。影片讲述的是多年后A来到B的家庭引起了A、B、B的丈夫、B丈夫的妹妹之间的四角恋故事。②A可说是对B家庭的“闯入者”,因此故事某种程度上可理解为无产阶级(A)闯入表面和谐的资产阶级(B和她家庭)后将该资产阶级家庭内部的肮脏与不堪搅到了台面上。类似的主题在布努埃尔后来的《苏珊娜》《女仆日记》中再次出现。③表意有力的高水平摄影美术;教科书般表意的运镜/场面调度的丝滑优美感很契合那些角色精致的气质。④作为传统故事片叙事太赶,角色性格和角色间关系的来由都不清晰(也或者没给观众足够的时间去清晰理解)显得乱七八糟,看的云里雾里。
呼啸山庄 Abismos de pasión (1954).....................
《呼啸山庄》居然有这么多版本,却只有一个版本8分,布努埃尔这一版几乎是最早的。有必要去看一下原著……update:如果不顾原著,这是一部中庸的电影。如果对比原著,这版对凯瑟琳对希斯克利夫的感情的处理太夸张了。她喜欢希斯克利夫,她认为他们两个很像,但这并不代表她爱他,更不代表她就要嫁给他。事实上,凯瑟琳选择嫁给林顿并不仅仅因为林顿有钱,那只是原因之一。所以,凯瑟琳没有选择希斯克利夫是个理性的决定,与背叛无关。原著中每个人的行为逻辑都更清晰,人性体现的也更丰富。
两个山庄的男女,偏执盲目的爱恨,深入骨髓的情仇。现在网络可见的片源版本画质感人,最多仅有录像带级别。
布努埃尔谈自己爱情观也说:只有死亡能够容纳真正的热烈的爱情
一部布努埃尔的琼瑶剧,世俗的宿命,谁人也无法挣脱,必须要已死来结尾。6
我们是到死都要纠缠不休的关系。“这些人对他们的本能和激情/毫无办法//他们是无视社会习俗存在/特立独行之人//阿利杭德罗对卡塔利娜的爱如此强烈霸道/只有死亡才能让爱圆满”