剧情介绍
这是一个关于人性的悲喜剧。1999年的普里什蒂纳，由于北约轰炸塞尔维亚，科索沃的阿尔巴尼亚人得以庆祝他们对塞尔维亚人的胜利，伴随着种族仇恨的盛行。国际援助组织派出数千工作人员帮助科索沃建设民主社会。年轻的德国人Anna（Karin Hanczewski饰）满怀理想主义和对民主建设的热忱，来到了这片土地。Husler Plaka是一位被遣返的波斯尼亚人，对西方人和钱情有独钟，Anna则是他的最新追求对象。另一方面Anna逐渐发现她的同事傲慢腐败，对援助事业也毫无热情。更糟糕的是，当地自称拥护自由的民族组织的指挥官Rhaci得到西方的支持，像黑手党一样剥削当地人民。在Anna目睹了打着国家主义的犯罪之后，她的价值观和世界观迅速崩塌，她决定和Plaka一同，冒着生命危险，为人道战斗
KILL ME TODAY, TOMORROW I'M SICK. A tragicomedy about mankind. Pristina 1999. NATO has bombed Serbia. The Kosovo-Albanians celebrate "their victory" over the "Serb oppressors". Ethnic hate is rampant. The International Community sends thousands of emissaries to democratize the country. Young German Anna is full of idealism and proud to contribute for a democratic change. Hustler Plaka belongs to the repatriates, who have a faible for Westerners and their currencies. Anna becomes Plakas favorite target of seduction. On the other hand Anna soon understands that her neurotic international colleagues are ignorant, corrupt and bored by their own mission. Worst of all Commander Rhaci, the alleged Kosovarian freedom fighter and darling of the West exploits the country like a Mafioso. Anna witnesses nationalistic violence, her world falls apart after feeling responsible for a deadly mistake, where Plaka is her accomplice. Up in arms the two special friends now risk their lives for humanity ...
蒙城电影节。喜剧包裹的悲剧内核，而且喜剧的癫狂并没有过火，悲剧情节的展现没有扑灭喜剧带来的乐观。亮点之一是在展现国际白左的虚伪和他们和白右同为一丘之貉的本质了，最后援助组织老大家里趴在泳池旁边一动不动的性感女郎作为符号明确了这点。在表现手法上，一方面摈弃了传统纪录片对战争的带来的直接苦难的消费，转而表现当地人民逆境中的乐观，另一方面塑造一个精通纪录片拍摄实际上却是吃里扒外毫无原则的配角，让影片完成了从主题到相应表现形式的批判。大反派嬉皮与阴鸷兼并的表演实在和瓦尔茨在无耻混蛋里太像了，而其家乡口音生疏英语却流利的设定直指西方民主国家是灾难的罪魁祸首。缺点是影片后半段的叙事有点散，而主角对仁爱自由和谐的宣扬仍局限于喊口号，甚至把大独裁者的独白搬上来完成情绪和部分主题的升华，破而未立的感觉很明显。