剧情介绍
改编自一起真实案件。
故事发生在中国北方的小县城，产业转型让一些无法跟上发展的人变成了时代的弃子，标子就是这样一个还活在工业时代的壮汉，仿佛失业离婚就是他这类男人的宿命。但就在他快要认命时，转机出现了，一位素未谋面的大哥给了标子一份特殊的工作——刺客。 Adapted from a real case. The story takes place in a small town in northern China. The industrial transformation has made some people who can not keep up with the development of the time abandoned. BiaoZi is such a strong man still living in this industrial age. As if unemployment and divorce were his fate. But just as he was about to acknowledge his fate, the opportunity appeared and an older brother whom he had never met before, gave BiaoZi a special job - the assassin.
故事发生在中国北方的小县城，产业转型让一些无法跟上发展的人变成了时代的弃子，标子就是这样一个还活在工业时代的壮汉，仿佛失业离婚就是他这类男人的宿命。但就在他快要认命时，转机出现了，一位素未谋面的大哥给了标子一份特殊的工作——刺客。 Adapted from a real case. The story takes place in a small town in northern China. The industrial transformation has made some people who can not keep up with the development of the time abandoned. BiaoZi is such a strong man still living in this industrial age. As if unemployment and divorce were his fate. But just as he was about to acknowledge his fate, the opportunity appeared and an older brother whom he had never met before, gave BiaoZi a special job - the assassin.
连着短片系列看的，上一部学生电影气息太重了，简直没有对比就没有伤害。但其实后半段有点太拖。
我喜欢这个蠢蠢的故事，充满了惊喜，无论是构图还是最后的反转，太有意思了。
使用方圆画幅却少有这一形式中独有的影像表达 庸常乏味的影调和元素构成 留给影评人的意义大于于文本本身的意义 显得生搬硬套 三弦的运用也不抓人 同大排档场夸张的霓虹灯管一样告诉观众 “看，我在这里有设计”
圆形的构图取消了浸没，一切成为一种明显的勾勒、窥探、犹如一幕幕用幽默的笔触勾勒的底层风情画。构图很棒，每个人物的正面与侧面都安排的舒服妥帖，还有校园里景深处飘扬的红旗、家庭里墙上贴着的耶稣。武松打虎的那段是幽默而又悲哀的转折，最后透出的是一种动人的酸楚。
《我不是潘金莲》方圆画面模仿习作，完成度还成，这个杀手太高调
不敢看太黑暗的东西。。
现代刺客，空有形式。
12.8 CYFF.at瓦当瓦舍
圆形画幅太可爱了
孩子，你要好好读书，这段时间可能见不到爸爸了。 我想见妈妈
何必用潘金莲画幅…
2018CYFF
画面和配套的海报啥的质感都很棒~很完整的视觉体系 导演加油！！
画幅设计和音乐 但是跟着我是潘金莲出来却没有打破潘金莲带来的桎梏
剪辑有意思，跟着三弦节奏走，圆形画幅使用有自己的理解。现代社会谈侠客尽显荒诞中二