剧情介绍
故事发生在1940年，德军的铁蹄踏上了法国的土地，让这个美丽的国家满目疮痍。一间屋子里，老人（让·马力·罗宾 Jean-Marie Robain 饰）和他的侄女（妮科尔·斯黛芬 Nicole Stéphane 饰）相依为命，战火并没有扰乱他们平静的生活。
某日，一位名叫凡尔奈（霍华德·沃侬 Howard Vernon 饰）的德国军官同老人和侄女住到了一起，出于自尊和立场，老人和侄女始终对其保持沉默。然而，随着时间的推移，两人发现凡尔奈不仅彬彬有礼，还对法国文化持有着特殊的尊重与喜爱，慢慢的，同在屋檐下的一对男女之间产生了真挚的感情。然而，巨大的隔阂和沉默横埂在两人之间，他们该如何处理这段生不逢时的爱情？ 1941 in a small town in Nazi occupied France. Against the will of its elderly male and his adult niece residents, the Nazis commandeer a house for one of their officers, Lt. Werner von Ebrennac, to live in for as long as he is in the area on Nazi business. As a figurative and literal silent protest against the Nazis and the officer, the uncle and niece do whatever is required of them while the officer is in their house, however they do not acknowledge his presence, living largely in silence whenever he is around. The officer treats the housing situation with care, like he is a guest. Although not a nightly occurrence, the officer begins an evening routine with his reluctant hosts: in his civilian clothes, he knocks on the door of the room in which they have convened for the evening, walking in shortly thereafter knowing that no acknowledgment will be made for him to enter, he visits with them for no more than five minutes before he bids them a good evening as he exits. During these visits, he speaks reverently about, among other things, culture - music and literature in particular as he is a composer and musician - his national pride, his love of France, and what he hopes will emerge from the war, namely a strong and free France, stronger than it was before the war, and the marriage between the French and German cultures which will enrich the lives of all Europeans. All the while, he makes no expectations from them, either to listen, or to answer if they are indeed listening. At the end of what ends up being his six month stay at the house, he does end up having a profound effect on the uncle and niece, despite that effect being largely unacknowledged, as his stay in France has a profound effect on him, opening up his eyes to the reality of the war based largely on his first ever visit into Paris.
某日，一位名叫凡尔奈（霍华德·沃侬 Howard Vernon 饰）的德国军官同老人和侄女住到了一起，出于自尊和立场，老人和侄女始终对其保持沉默。然而，随着时间的推移，两人发现凡尔奈不仅彬彬有礼，还对法国文化持有着特殊的尊重与喜爱，慢慢的，同在屋檐下的一对男女之间产生了真挚的感情。然而，巨大的隔阂和沉默横埂在两人之间，他们该如何处理这段生不逢时的爱情？ 1941 in a small town in Nazi occupied France. Against the will of its elderly male and his adult niece residents, the Nazis commandeer a house for one of their officers, Lt. Werner von Ebrennac, to live in for as long as he is in the area on Nazi business. As a figurative and literal silent protest against the Nazis and the officer, the uncle and niece do whatever is required of them while the officer is in their house, however they do not acknowledge his presence, living largely in silence whenever he is around. The officer treats the housing situation with care, like he is a guest. Although not a nightly occurrence, the officer begins an evening routine with his reluctant hosts: in his civilian clothes, he knocks on the door of the room in which they have convened for the evening, walking in shortly thereafter knowing that no acknowledgment will be made for him to enter, he visits with them for no more than five minutes before he bids them a good evening as he exits. During these visits, he speaks reverently about, among other things, culture - music and literature in particular as he is a composer and musician - his national pride, his love of France, and what he hopes will emerge from the war, namely a strong and free France, stronger than it was before the war, and the marriage between the French and German cultures which will enrich the lives of all Europeans. All the while, he makes no expectations from them, either to listen, or to answer if they are indeed listening. At the end of what ends up being his six month stay at the house, he does end up having a profound effect on the uncle and niece, despite that effect being largely unacknowledged, as his stay in France has a profound effect on him, opening up his eyes to the reality of the war based largely on his first ever visit into Paris.
老版尊重原著。全片洋溢着对爱与和平的期盼。世界需要和平。本版时间线也合理。明白了结尾的对话请求忘记共同在一起的六个月。他们的相遇不是美好的是残酷的背景，德国军官真的格局很高。主角选的好。那个年代确实是干净俊美的美男子。
其实我没看懂，这是在表达战争背景下超越国恨但又囿于国恨隐晦无声流动的爱情？
有很多解法，拧巴，巴黎的外景尤其稚嫩
引发深思，接下来还要读海的沉默法语版，以及《平庸之恶》
仔细盯着剧情想了半天，发现原来是《沉静如海》的原版。可能囿于时间的隔阂，私以为还是新版更符合我对爱情与国仇的想象
CC版~
黑白录屏的版本，断断续续看完，有沉静如海的感受。
立场上有点像是承接的让·雷诺阿，包括国族在内的各种宏大叙事都是抽象的，而人与人之间的关系是具体的。不过用巨量画外旁白串联全场的方式来呈现文学电影，总觉得不算特别高明，而且从演法到布光，属于梅尔维尔式的起范儿起大了。
演员表演太僵化，尤其老人和女孩，呈现不了角色内心的挣扎和变化，以致于最后的所谓“爱情说”太牵强。德国军官的表白方式，该说他理想化？天真？还是虚伪的自我感动？他的彬彬有礼、对法国文化的热爱、艺术爱好和自我剖析，这些人性光辉在他踏上法国土地来到这个家庭的前提和定位面前就已经蒙上灰色，侵略者与被侵略者之间的“依依惜别”，太难驱散对立和战争仇恨的阴霾。。
入木三分
看过~
片子是好片子，个人不是很吃这一套，太隐晦了，有时候甚至感觉强烈的压抑感
先看的老版 克制 似乎看不出女主的内心 分不清是爱情还是某种情感 暧昧又晦涩
好文艺
人的手比脸更容易出卖自己……在1800多个夜晚的喃喃自语里，真诚闪耀着无法忽视的光芒。