剧情介绍
德国慕尼黑,丈夫克里斯特告别了妻子亚丽安娜(Margit Carstensen 饰)与瘸腿女儿安吉拉(Andrea Schober 饰),赴奥斯陆公干,但他在半路中转,约会了情人并将其带到自己的乡间别墅。但他意外发现亚丽安娜与情人——自己的助手早已抵达别墅偷情,四人很快在尴尬的气氛中回过神来,坐到了一张桌子上享用晚餐。负责照料别墅的卡斯特与加百列母子注视着四人,内心各有不同的触动。当天夜里,安吉拉在保姆的陪伴下亦抵达别墅,她的出现让亚丽安娜为其腿疾绷紧的神经再次拉紧,气氛一时僵硬。
第二天夜里,安吉拉组织别墅里的所有八人进行一场叫做“中国轮盘赌”的问答游戏,分成两组的八人互相提问作答,牵出了各自内心隐藏的秘密。 A wealthy couple, with a daughter Angela, a young teen who walks with crutches, tells each other they are off for the weekend on business (he to Oslo, she to Milan). Actually, both are meeting their lovers, and both go to the family's county home, Traunitz castle. Surprising each other, there's sophisticated laughter; they decide to continue as planned. Dinner, however, is interrupted by the arrival of Angela and her mute attendant, also named Traunitz. The next day, the child initiates a game of "Chinese roulette," in which one team tries to guess which of them the other team is thinking of by asking questions. The game has an edge of cruelty and the results are explosive.
第二天夜里,安吉拉组织别墅里的所有八人进行一场叫做“中国轮盘赌”的问答游戏,分成两组的八人互相提问作答,牵出了各自内心隐藏的秘密。 A wealthy couple, with a daughter Angela, a young teen who walks with crutches, tells each other they are off for the weekend on business (he to Oslo, she to Milan). Actually, both are meeting their lovers, and both go to the family's county home, Traunitz castle. Surprising each other, there's sophisticated laughter; they decide to continue as planned. Dinner, however, is interrupted by the arrival of Angela and her mute attendant, also named Traunitz. The next day, the child initiates a game of "Chinese roulette," in which one team tries to guess which of them the other team is thinking of by asking questions. The game has an edge of cruelty and the results are explosive.
法斯宾德有剧毒
啊,喜欢角色Ariane的衣品~
这样精致考究的走位 封闭空间内的多人调度 折射与遮挡的运用 原来是八美图的前辈 也是女孩和蜘蛛的前辈 德国电影始终绕不过战后这个主题 战时成长起来的大人们无法坦然面对“在Hitler的治下 他会是怎样的人”这个问题 而战后一代的青少年虽然身体残缺(一哑一跛)却能如此残酷冷峻地将真相轻易戳破 —— “你已经两年没有写文章了 你的作品都是偷的”
在干啥呢? 好吧最后一段话加一颗星
让人不安的镜头构图和运镜轨迹,广角多,实属天才
大师的作品,真的很不错。高潮处的构图和调度的影射层次让我改观。
2022,标记第255部三星半
构图和运镜好,许多的镜子和玻璃映出面孔,虚虚实实,像这婚姻和母女的关系中隐藏的东西。感觉是借小女孩体现夫妻俩婚姻的问题。最后的游戏也是真真假假,像要混淆视听,或许只有小女孩的话才是“真身”。
雕塑式表演和配乐,都是魔幻与恐怖的基调。戏剧式的转场很具有实验性,每一帧恨不得都是摄影作品。四组人共处一室没有一上来就爆发激烈冲突可能是德式隐忍与克制吧。
这是个恐怖片吧……手冰凉
游戏式提问逐渐剖出问题本质、人物关系、真实情感,沉闷中的有趣
摄影绝赞,感觉这个故事配不上这么好的摄影
破碎不完整的人和破碎不完整的关系,带着一些似乎是从民间传说里抓取来化用的人物特征或行为,整体呈现极为诡异的氛围。但画面镜头又是极度美丽的,人物像棋子一般被恰到好处地安放在封闭的空间内,又非常合时宜地与那一瞬的光影相合衬。
镜头多动症(作为实验也不是那么有趣),台词也比较不行……
法斯宾德和欧容是在深层性关系上偏向邪与欲的两头,于是前者是表层冷色故事暖色的中国轮盘,后者是表层暖色故事冷色的八美图。父母最懂伤害,夫妻最懂利害,外遇最懂无情,浅薄者最懂人性,无言者最懂温柔。镜子、透明柜子、手枪、封闭空间、精致与伪善。