剧情介绍
大正九年，身穿浴袍的青年（松田洋治 饰）在一间昏暗封闭的房间内醒来，隔壁不断传来少女的哀号，他失去了记忆，完全想不起自己的姓名和来历。这时，自称九州帝国大学精神科教授的若林镜太郎（室田日出男 饰）走入房间，他向青年讲述了一件很久以前发生在中国的悲惨故事，并认为远古祖先脑中的记忆通过某种方式传给了这名叫做吴一郎的青年。上一任精神科院长正木（桂枝雀 饰）曾对此进行深入研究。
不久，业已死亡的正木博士竟然出现在吴一郎面前，他向一郎提供更多的线索，然而这一切却愈加扑朔迷离……
本片根据侦探小说家梦野久作同名作品改编。 A man is confined to a mental institution after trying to murder his fiancee. Two doctors relate his problem to an Asian philosophy that states that mental defects are transmitted from generation to generation. He learns that one of his distant ancestors murdered his wife as a way of demonstrating a point to his lord about the importance of love over the emptiness of lust and to drive home the point further, created a series of illustrations of the dead woman decaying which in turn trigger the memories of his distant descendent. But is the whole thing merely a game concocted by the two doctors, who may even have driven themselves mad?
不久，业已死亡的正木博士竟然出现在吴一郎面前，他向一郎提供更多的线索，然而这一切却愈加扑朔迷离……
本片根据侦探小说家梦野久作同名作品改编。 A man is confined to a mental institution after trying to murder his fiancee. Two doctors relate his problem to an Asian philosophy that states that mental defects are transmitted from generation to generation. He learns that one of his distant ancestors murdered his wife as a way of demonstrating a point to his lord about the importance of love over the emptiness of lust and to drive home the point further, created a series of illustrations of the dead woman decaying which in turn trigger the memories of his distant descendent. But is the whole thing merely a game concocted by the two doctors, who may even have driven themselves mad?
需要蓝光
看了一些评论，我不认为这是一部典型新浪潮电影，和部分波兰斯基影片一样，探讨哲学意义的自我与存在主义哲学一样，其次超高的完成度和画面之精美服化道之精良，叹为观止，是值得品读之作。
还是看不太！懂
20210627。
形式上还行（人形净琉璃的部分）
一个精神病人的记忆被不断重建与推翻的故事，穿插了谎言、罪案、传说等干扰，让人难以理清真相。2.5
2021，观影第366部
很cult
非常精彩的精神分析文本，整个下来可以理解为一个精神病患者的头脑风暴，甚至我对他精神病患者这个原身份都表示怀疑。俩位医生对主角进行沉浸式催眠，让患者一步步相信，同样也是对观众一步步的催眠，再慢慢打翻前面的设定。
上午看了地狱，引出来脑髓地狱，同样的红色同样的手指上的血
被海报骗了的感觉，除了木偶戏有点意思以外就是很空洞的实验片，台词也太多了，影像跟隔壁几位日新浪潮导演比起来真的好一般，比这个片早两年拍的大陆cult片《魔窟的幻想》的风格都要比此片前卫很多耶
现实加梦……云里雾里……
😑👍
实验，诱导，精神分析之后的盛大失控。
大和屋竺最最末期的脚本作品，也是松本俊夫最后的劇映画。我其实看到了一个时代的结束，包括摄影铃木达夫，美术木村威夫，都是六七十年代日本电影先锋的知名人士。但当裸体不再作为业界映伦禁忌被大众避而不谈，当变态性癖走到公众视线下不再有新鲜感，一切冲击感都褪色了。——不如当作一场猎奇的成人童话，同理《潘神的迷宫》和蒂姆波顿。