剧情介绍
娜奈尔(玛丽·菲勒特 Marie Féret 饰)是伟大音乐家莫扎特(马克·巴贝 Marc Barbé 饰)的姐姐,和弟弟一样,娜奈尔继承的父亲杰出的音乐天赋,善于演奏大提琴和小提琴,同时也是一名优秀的音乐创作者。然而,在当时的社会,女性是不被允许登上舞台的,娜奈尔虽然拥有不输于任何人的技巧,却还是要听从父亲的安排,掩盖自己的光芒,进入修道院。
皇太子非常欣赏娜奈尔的才华,他积极的鼓励后者创作音乐,并且雇佣了私人乐队来演奏娜奈尔写的音乐剧。娜奈尔获得了一个机会可以亲自登台演奏自己的剧本,然而她必须打扮成男人的样子,这令娜奈尔感到非常的愤怒和屈辱。 Beginning in 1763, the film follows the Mozart family's exhausting life on the road, traveling by coach from one royal court to the next, where the nobility marvel at young Wolfgang's prodigious talent. But accomplished singer, harpsichordist, violinist Nannerl, Wolfgang's elder by five years, first held forth as the family's infant prodigy. At the film begins, she is still performing, though overshadowed and sidelined as accompanist by Wolfgang's growing fame. Her father bows to social strictures "for her own good," refusing to let her continue with the violin or compose, while privately conceding Nannerl's talent to his wife. No longer a precocious tot, Nannerl chafes at the limitations imposed by her gender and frets about her prospects.
皇太子非常欣赏娜奈尔的才华,他积极的鼓励后者创作音乐,并且雇佣了私人乐队来演奏娜奈尔写的音乐剧。娜奈尔获得了一个机会可以亲自登台演奏自己的剧本,然而她必须打扮成男人的样子,这令娜奈尔感到非常的愤怒和屈辱。 Beginning in 1763, the film follows the Mozart family's exhausting life on the road, traveling by coach from one royal court to the next, where the nobility marvel at young Wolfgang's prodigious talent. But accomplished singer, harpsichordist, violinist Nannerl, Wolfgang's elder by five years, first held forth as the family's infant prodigy. At the film begins, she is still performing, though overshadowed and sidelined as accompanist by Wolfgang's growing fame. Her father bows to social strictures "for her own good," refusing to let her continue with the violin or compose, while privately conceding Nannerl's talent to his wife. No longer a precocious tot, Nannerl chafes at the limitations imposed by her gender and frets about her prospects.
外挂中字 演姐姐的妹子居然是导演的女儿,颜值还是挺高的不过全程总低眉一副哭丧样,还好男装帅爆
天才长在了错误的时代和错误的家庭。身为女人在那个年代有多痛苦呢。作为女人到现在都会时时感觉不平等存在的屈辱,为什么有人就是感受不到呢。幸好世界上只有男人和女人两种性别,否则不知道被歧视的多出来的一种会不会被弄来当奴隶。
好基因
骚长
且不论有多少真实,更像是一位少女的幻灭故事。故事不太顺,对娜内的表达也不够明确,人物的情感落差也很突兀,包括父亲和皇子各自对她的影响,总是不咸不淡地来那么几下,看不到她和任何人的感情联系,都太疏离太恭谦。而导演女儿对人物的诠释也无法认同,似乎只是剩在年龄相仿吧,只是有稚嫩的感觉。
我更愿意认为她是因为失去爱情而放弃了作曲。ps女演员的演奏技巧好僵硬。
钢板琴万岁。sad
很喜欢整部电影的节奏,平实但有内涵,再加上配乐,虽然情节没有大起大落,但是娓娓道来,也是很吸引人的。
人生苦短 青春比野兔跑還快
结尾仓促又在意料中,省略的她的大半生让人觉得苍凉而无奈,女性仅仅在一百年前才开始解放,在漫长的人类历史中简直如同一瞬间。音乐和画面都美。
"une thèse extrêmement sympathique, probablement fausse mais très convaincant"
看了以后觉得,女性的自由解放真的很正确
11.5.21 法盟 音乐是没的说。苦逼压抑的片子,路易十五他儿子好变态,台词举止都莫名其妙的。女主像极了某个肖像油画里的人物,小公主是亮点。那个年代的女人真是可怜。
魔鬼在上帝身后
几乎毫无情节啊。