剧情介绍
加拿大青年拉菲(David Alpay 饰)是亚美尼亚后裔,他的母亲安妮(Arsinée Khanjian 饰)是艺术史学者,最近新发表了关于亚美尼亚画家高基的著作。拉菲的女友西莉娅是继父的女儿,他的亲生父亲则死于行刺土耳其驻加拿大大使,西莉娅认为父亲的跳崖完全因为安妮,在公开场合对她的研究成果百般诘难。
导演索拉杨正在筹拍一部关于亚美尼亚大屠杀的影片,由于计划将少年时期的高基写入剧情,遂邀请安妮担任顾问,拉菲得以进入剧组帮手。拉菲将胶片带回加拿大时被海关安检扣留,因为女友有贩毒记录,拉菲一时难以脱身,开始向安检员讲述电影内容:1915年,土耳其军队包围凡城,破城后在亚美尼亚的圣山阿拉若山脚下展开了对亚美尼亚人的血腥屠杀……
本片获2003年吉尼奖最佳配乐、最佳艺术设计等多项褒奖。时空交错的剧本结构尤为精巧。 People tell stories. In Toronto, an art historian lectures on Arshile Gorky (1904?-1948), an Armenian painter who lived through the genocide in Turkey in 1915. A director invites the historian to help him include Gorky's story in a film about the genocide and Turkish assault on the town of Van. The historian's family is under stress: her son is in love with his step-sister, who blames the historian for the death of her father. The daughter wants to revisit her father's death and change that story. An aging customs agent tells his son about his long interview with the historian's son, who has returned from Turkey with canisters of film. Parents and children. All the stories connect.
导演索拉杨正在筹拍一部关于亚美尼亚大屠杀的影片,由于计划将少年时期的高基写入剧情,遂邀请安妮担任顾问,拉菲得以进入剧组帮手。拉菲将胶片带回加拿大时被海关安检扣留,因为女友有贩毒记录,拉菲一时难以脱身,开始向安检员讲述电影内容:1915年,土耳其军队包围凡城,破城后在亚美尼亚的圣山阿拉若山脚下展开了对亚美尼亚人的血腥屠杀……
本片获2003年吉尼奖最佳配乐、最佳艺术设计等多项褒奖。时空交错的剧本结构尤为精巧。 People tell stories. In Toronto, an art historian lectures on Arshile Gorky (1904?-1948), an Armenian painter who lived through the genocide in Turkey in 1915. A director invites the historian to help him include Gorky's story in a film about the genocide and Turkish assault on the town of Van. The historian's family is under stress: her son is in love with his step-sister, who blames the historian for the death of her father. The daughter wants to revisit her father's death and change that story. An aging customs agent tells his son about his long interview with the historian's son, who has returned from Turkey with canisters of film. Parents and children. All the stories connect.
"Crippled by a need to show all sides".
剪輯順序是抽籤決定的嗎
额买过碟,士兵强暴妇女喊着I'm coming什么的。。
7/10。依然是伊戈扬的多线并进结构,戏中戏形式造成了时空回逆的模糊和错觉,外加一条狗血伦理关系。处理人物事件的方法挺接近《小亚细亚往事》,通过罗列个体的情感对整个民族过去的触及和现在的描述,结尾老安检收查到毒品还放走男孩有些一厢情愿。故事本身不够紧密,太依赖对话,美学也无夺人之处。
今天和導演見了面,問他為什麼拍這樣多主線的故事結構,他說他的意圖是緩衝情緒,作為Armanian的後人,他想把現在大家面對這件事情的態度呈現在屏幕上,他不想傳達憤怒,因為憤怒是無力的。
好端端的重现大屠杀的历史片,被颠来倒去、随时插播的110分钟片场内外花絮挤压得只剩5分钟了,导演你真是装B无极限啊
母親,男孩,女孩,那樣子,那勁兒,太吸引人了。關於曆史,關於父親的故事。
很好的题材,拍的这么错乱?
亚美尼亚往事。不过,本片主旨是?
"The struggle of man against power is the struggle of memory against forgetting"
好電影。
你寻找到你追寻的灵魂之旅了么?关于亚美尼亚大屠杀
对于本国家有独立倾向的少数名族究竟采取什么态度,这确实是个问题
一部关于历史真相的电影,一部关于回忆的电影,这是我看过的同类影片中文学性和艺术价值最高的一部。 戏中戏的电影,这是我看过的同类电影中,叙事技巧最高的一部。 群像式的分段电影,这是我看过的同类影片中,最自然天成的一部,最情感真挚,情绪准确的一部。
过分渲染 一无所获