剧情介绍
克拉拉(索妮亚·布拉加 Sonia Braga 饰)年近60,曾经是一名出色的乐评人。如今,克拉拉孤身一人居住在一座名为“水瓶座”的大楼里,这座风格非常独特的大楼建造于20世纪40年代,有着非常久远的历史。克拉拉非常喜欢这座毗邻着大海,拥有着美丽外观的大楼,将其视作自己的完美住所。
某日,克拉拉得知一家大型地产商买下了整栋大楼,并且准备将它拆除,这也就意味着克拉拉要在期限之内卖掉自己的房子。面对强权,克拉拉当然不会轻易屈服,在所有的住户都搬走的情况下,克拉拉成为了水瓶座大楼里的“钉子户”,用自己的方式和贪婪的地产商开始了一场旷日持久的战斗。 Clara, a 65 year old widow and retired music critic, was born into a wealthy and traditional family in Recife, Brazil. She is the last resident of the Aquarius, an original two-story building, built in the 1940s, in the upper-class, seaside Boa Viagem Avenue, Recife. All the neighboring apartments have already been acquired by a company which has other plans for that plot. Clara has pledged to only leave her place upon her death, and will engage in a cold war of sorts with the company. This tension both disturbs Clara and gives her that edge on her daily routine. It also gets her thinking about her loved ones, her past and her future.
某日,克拉拉得知一家大型地产商买下了整栋大楼,并且准备将它拆除,这也就意味着克拉拉要在期限之内卖掉自己的房子。面对强权,克拉拉当然不会轻易屈服,在所有的住户都搬走的情况下,克拉拉成为了水瓶座大楼里的“钉子户”,用自己的方式和贪婪的地产商开始了一场旷日持久的战斗。 Clara, a 65 year old widow and retired music critic, was born into a wealthy and traditional family in Recife, Brazil. She is the last resident of the Aquarius, an original two-story building, built in the 1940s, in the upper-class, seaside Boa Viagem Avenue, Recife. All the neighboring apartments have already been acquired by a company which has other plans for that plot. Clara has pledged to only leave her place upon her death, and will engage in a cold war of sorts with the company. This tension both disturbs Clara and gives her that edge on her daily routine. It also gets her thinking about her loved ones, her past and her future.
这是一部钉子户的故事吗
第五宫/狮子座
3/5 开年第一部,任务驱动型观影。
過去太美好了,我們想留住一些有形的記憶,最終我們變得偏執
+.
从网盘里翻出来的布满灰尘的片子。联想到刚看完的«宿命,吾爱»,沿海城市的人们,似乎普遍认为热情是一种品质。很不一样的观感。在目前“世界那么大,反正看不到”的情况下,是很有趣的知晓不同的方式。身心裕余的女性,好美好酷。
与舍间声响相比缺少了一些巧妙细微的东西,但对人物情感与生活的展现更加细腻多面
现在往往是子女就得让你搬迁各种威逼利诱最后悲剧收场
还以为只是单纯的钉子户的故事,没想到远远不是。成熟女人的生活真是又破碎又圆满。喜欢第一幕中柜子承载的老奶奶性革命记忆,非常酷。
和音乐相反,影片很“平淡”,就像日常
看了下评论,这部电影的评分还有点高,不过个人觉得从整体看没多大个意义,也谈不上什么,和今年的法国影展片“加加林”差不多的拆迁户味道。
此片展示了倔强妇人和无良房地产商顽强的对抗,涉及到了巴西社会阶层的构成问题,但用力最多的地方是:要保护和保持生活尊严,不轻易妥协于铜臭,保护具有纪录性质的文化历史记忆,不管它们是遗存在房子里、书籍里、照片里、音乐里、艺术里,还是回忆里。。。值得铭记的奋斗和悲欢。。
结果和星座没半点关系,钉子户的故事原来可以这样拍,如果放到我国,钉子户除了倔强的愤怒,顽强的以身抵抗,就没有可拍的了,这电影里还有生活爱情亲情各种可拍的,所以钉子户不可怕,可怕的是钉子户从来都没有过生活
人物多的眼花缭乱。
16年戛纳主竞赛最后一部被遗忘在硬盘里的影片。在我看来强拆这个社会问题的关键性最终是被置于了女主的人物塑造之后。特别是跨越时间的三段式结构,以及家庭朋友关系较为深入的展开,都还是在为这个丰满完整的女性角色服务。是成功的,因为在我眼中克拉拉的确是一个优雅坚强,充满人格魅力的角色。