剧情介绍
1944年，罗马，被纳粹侵占下伤痕累累的大街。德军肆无忌惮的搜捕着保卫家园的游击队，意大利地下反抗组织领袖、工程师乔治·曼菲蒂（马塞罗·巴格利埃罗 Marcello Pagliero 饰）遭到德军追缉。危急中，曼菲蒂逃往朋友弗朗西斯科家中暂避，在弗朗西斯科的未婚妻碧娜（安娜·玛妮雅妮 Anna Magnani 饰）的帮助下，曼菲蒂见到了唐·彼得罗神父（阿尔多·伯立兹 Aldo Fabrizi 饰），并请神父将一笔巨款交给游击队。弗兰西斯科为了掩护曼菲蒂而被捕，碧娜也中弹身亡。然而绝处逢生的曼菲蒂被女友告密，曼菲蒂和神父被捕入狱。纳粹故意在神父面前严刑拷打曼菲蒂，两人最终在敌人的酷刑和枪弹下英勇牺牲。
本片根据塞吉欧·阿米迪的原著改编。 The location: Nazi occupied Rome. As Rome is classified an open city, most Romans can wander the streets without fear of the city being bombed or them being killed in the process. But life for Romans is still difficult with the Nazi occupation as there is a curfew, basic foods are rationed, and the Nazis are still searching for those working for the resistance and will go to any length to quash those in the resistance and anyone providing them with assistance. War worn widowed mother Pina is about to get married to her next door neighbor Francesco. Despite their situation - Pina being pregnant, and Francesco being an atheist - Pina and Francesco will be wed by Catholic priest Don Pietro Pelligrini. The day before the wedding, Francesco's friend, Giorgio Manfredi, who Pina has never met, comes looking for Francesco as he, working for the resistance, needs a place to hide out. For his latest mission, Giorgio also requests the assistance of Don Pietro, who is more than willing as he sees such work as being in the name of God. Don Pietro's position also provides him with access to where others are not able. Giorgio's girlfriend, Marina, a cabaret performer, doesn't even know where Giorgio is in hiding. Both Pina and Marina take measures to improve their lives under this difficult situation, those actions in combination which have tragic consequences.
本片根据塞吉欧·阿米迪的原著改编。 The location: Nazi occupied Rome. As Rome is classified an open city, most Romans can wander the streets without fear of the city being bombed or them being killed in the process. But life for Romans is still difficult with the Nazi occupation as there is a curfew, basic foods are rationed, and the Nazis are still searching for those working for the resistance and will go to any length to quash those in the resistance and anyone providing them with assistance. War worn widowed mother Pina is about to get married to her next door neighbor Francesco. Despite their situation - Pina being pregnant, and Francesco being an atheist - Pina and Francesco will be wed by Catholic priest Don Pietro Pelligrini. The day before the wedding, Francesco's friend, Giorgio Manfredi, who Pina has never met, comes looking for Francesco as he, working for the resistance, needs a place to hide out. For his latest mission, Giorgio also requests the assistance of Don Pietro, who is more than willing as he sees such work as being in the name of God. Don Pietro's position also provides him with access to where others are not able. Giorgio's girlfriend, Marina, a cabaret performer, doesn't even know where Giorgio is in hiding. Both Pina and Marina take measures to improve their lives under this difficult situation, those actions in combination which have tragic consequences.
第一次一大早7点就在看电影
庆祝A米联赛夺冠，决定刷一波呆梨。看到二战时期的意大利竟然还有德占区，真是有些恍惚。查了下时代背景，意大利王国1943年退出邪恶轴心投降盟军，之后墨索里尼的意大利社会共和国便和南部的意大利王国分庭抗礼。在如此撕裂的社会中，意大利新现实主义开始了。虽然观影过程有些枯燥，但是本片的地位却是举足轻重。片中的神父是世俗而又可爱的，和孩子们一起踢足球以及旋转裸体的宗教人像两处细节令人充满亲切感。被枪杀的碧娜暴尸街头，观者甚至来不及看清凶手是谁，这或许正是彼时生命如草芥的悲凉。战后的亚平宁半岛百废待兴，受制于经费的拮据，新现实主义影片的拍摄离开影棚走上街头，抛弃了部分繁琐的布光，导演甚至使用了部分纪录片素材，却收获了意外之喜。重看对二战的反思，希望这不要是三战前夕的思考。
致敬🫡意大利二战时期新现实主义名电影。同样是黑白5:4画幅，2个小时电影分两个部分，前一段重点铺陈德意志法西斯占领下的罗马城，萧条、白色恐怖中的市井生活，大量笔墨描绘了当时罗马风情画，平凡的人将在影片后半段如何奋力抗争法西斯的人格转变过程。后一段则是地下党领袖、神父被捕被严刑拷打的过程，鉴于电影史，片中审问过程仍留有剧场式戏剧式的场面调度，但神父和革命党人表现的大义凌然，意大利人不屈的灵魂也让德国士兵不忍枪毙神父。
意大利新现实主义代表作，剧情推进缓慢，可能这就是“现实”吧。
现在看觉得挺有现实意义的
🤖🤖🤖
需要搞明白的问题：此片为何可以作为意大利新现实主义的代表？是题材、镜头调度、演员选择还是光影安排？
印象比较深的一个镜头：神父坐在审讯室，女军官和男军官在他对面站着点烟，桌上的台灯照着神父，而对面的两人却又俯视神父，种种细节暗示双方此时的身份地位，很妙
对片中三个女性的形象印象最深，早先牺牲的女性好有魅力。说是把女性化的女性形容得很恶心，但像这样的电影不正可以说明人的男性化和女性化都是很悲哀的吗。
皮娜！
悲剧的结尾，但反抗的种子已经种下
慷慨从容赴死崇高感受刑 枪决 冲击力麻木的军官 酒后吐真言结尾 孩子们的背影 希望
哈哈，可笑，面对这一些顽强抵抗的“敌人”，正义的拿着枪的的文明人们急了，他们急于扣动扳机宣判这些人的死刑来确证自己的合法性，确证自己的民族优越感和崇高的理性，哈哈，可笑
慷慨赴死易，从容负重难。
倒是现实且朴素。