剧情介绍
暂无
Marina's sister drowned herself, her brother is both headstrong and weak, and her widowed mother has a reputation for sleeping around. Plus, Marina, who's family was rich before the war, is aloof: so she's the object of the jealousy and scorn of Hydra's young men, especially Christos, whom she rejected. She fears harassment whenever she leaves her house. When two Athenians on vacation board at Marina's family home, things come to a head: she falls in love with Pavlos, one of the visitors, and he with her. The young men in town stalk and jeer her; then play a cruel trick on Pavlos that goes awry with tragic results. Can any good come from the catharsis of tragedy?
4.5
电影里对群众的刻画中看到了Italian Neo-Realism的影子 主人公反而塑造的没那么有力 尤其是转变的动机相对于观众对他的先行认知来说不够有说服力/QA环节有希腊移民表示惊叹于导演对当时小镇环境的描绘如此细致 让他看到故乡熟悉的样子/一生致力于在北美传播希腊电影的Dan Georgakas老先生说 外国人往往看一部希腊电影就觉得oh this is Greek 但是NO it's not！我想这种假定对于任何一种文化都不成立
破船落水场景拍得真实而灵动，死亡的突如其来打断了爱情、自由与妇德对峙的小格局，被嘲笑的、被贬斥的黑衣姑娘第一次与嘲笑者平等对话，甚至达成了一定的和解。寡妇守节的要求与个人情欲的冲突在后来的《希腊人佐巴》里也有表现。
2015.03.22
希腊的建筑环境特别能衬托黑衣
典型悲剧命运型，好在结尾希望在
黑衣是命运的标识
@实验剧场
不愧是大师！！