剧情介绍
入围第71届柏林电影节德国电影视角单元。
As she enters retirement, a mother leaves behind her solitary life in rural Germany and memories of a once perfect family life and travels to protest-ridden Hong Kong, a place that has kept her son away from her for many years. As she enters retirement, a mother leaves behind her solitary life in rural Germany and memories of a once perfect family life and travels to protest-ridden Hong Kong, a place that has kept her son away from her for many years.
As she enters retirement, a mother leaves behind her solitary life in rural Germany and memories of a once perfect family life and travels to protest-ridden Hong Kong, a place that has kept her son away from her for many years. As she enters retirement, a mother leaves behind her solitary life in rural Germany and memories of a once perfect family life and travels to protest-ridden Hong Kong, a place that has kept her son away from her for many years.
【2021 DIFF】德国母亲来香港看望儿子，而儿子的生活重心都在社会运动，母亲只能在陌生的城市游走，切入的角度很特别（木与水指的是算命先生的五行论）
木与水原来是五行！天呐！整体很写纪录片风格，出演者台词口误也让他继续说下去，一切仿佛真的就随着人和物自然发展下去。论德国人的实验精神……
#LFF21 第33场 摄影很美，运镜值得学习，但对HK的描绘真的不是刻板印象吗￣□￣｜｜
有學習價值的是一些攝影的視角、構圖。拿香港背景加入議題元素的片真的已經看得很煩了，對亞洲的許多素材挑選上又十分刻板
There’s a kind of flatness in this docu-fiction. The director juxtaposed a European country life with a hectic life in an Asian city under unrest, but few meaningful comparisons and connections are made beyond the usual city/country dichotomy. The Asian experience is much based on stereotypes. Other themes of the film are rather disintegrated.
孤独的老人在<有千丝万缕联系但仍然陌生>的异乡寻找心灵的慰藉 而后发现他乡故乡并无不同（存疑） - 命运是什么？“慈母手中线 游子身上衣” 3.3-3.8 不戳我
有点意思
3.5
导演以一个纯粹的外国人视角给观众带入香港的焦虑，叙事手法很讨喜，大多是平和的landscape & cityscape，以及母亲在陌生国度漫无目的的游走，有点迷失东京的感觉