剧情介绍
暂无
Raúl, a middle-aged, unemployed man, is obsessed by the character Tony Manero, who John Travolta plays in the film "Saturday Night Fever". He tries to imitate Travolta's impersonation in every detail, to be able to perform the most perfect Tony Manero himself. Raúl lives in a shabby house in Santiago. In a spacious room the landlady Wilma has a simple stage, where Raúl and some other tenants rehearse a show in Tony Moreno style. The young performers Goyo and Pauli are involved in underground activities against the Pinochet regime. Goyo gives some political flyers to a man. Raúl tails the man, and happens to see the secret police shooting him. After a while Raúl returns to the corpse, and steals the man's wristwatch. He goes to a junk dealer, where he swaps the watch for some thick glass bricks. He needs these for the stage floor, to be able to light up the show from beneath, just as in the film. In need of more glass bricks, he kills the junk dealer and steals the bricks. In his new Tony Moreno dress Raúl is on his way to a look-alike contest in TV Chile, when the secret police enters the house to arrest Pauli and other political suspects. Raúl succeeds to sneak away over the roof, and continues to the TV studio.
荒原点火，失我寻我。
智利三部曲之一，最难找到资源。总算了却一桩心愿。
皮诺切特三部曲：智利说不、杀手夜狂热、后事
周末魇狂热 创佳CJ英版
完美的电影！
72/100
来自智利的小众佳片，男主很像《越狱》里的马洪。
很好的电影！流行文化和政治权力一样 都提供了虚假的赋权感。
Tony Manero这个打着美国标签的名字频繁出现，并非是向闪耀的生命力致敬，而是数度虚焦后的迷失。劳尔向往美好，可老二却偏偏不顶用。激情与梦想混合着昏暗眩晕的曲调，弥漫在智利人仍然害怕会被另一个智利人迫害的空气里。拼尽全力并未如愿夺冠，劳尔的再次尾随令人不寒而栗。帕布罗主创团队最有诚意的一次创作。
黑暗的土壤孕育出的一朵扭曲恶花 镜头间充斥着看不到未来的压抑 Castro真像一只想再次翱翔的迟暮之鹰
补。3.5 男主不得了，什么叫表演信念感。
还是很爱看他跳舞的，这一刻很迷人，除此之外很冷酷垃圾。
7.3 灰冷色调+手持摄影，绕不开的皮诺切特，机缘巧合下看了好几部这个导演的电影，觉得只能算二三流作者。两个问题：1.偌大电影院，两个员工，一个顾客，竟然还不倒闭？2.《周末夜狂热》引发模仿狂潮，却没人去电影院看，究竟怎么火起来的？
对智利军政府独裁时期的环境气氛描绘，与丧失伦理道德的人物塑造紧密相连。Alfredo Castro以高超的演技传达出生活在压抑的社会里的扭曲人性。这种近乎于邪典虐杀电影的塑造手法，显然模糊了现实和政治批判意味。人性恶的滋生也源自这种精神空虚与无力反抗的人物身上。
完美。ZZ下的隐喻，后半段直接上天