剧情介绍
本片透過四對男女、四段關係，以交錯敘事的方式，呈現出這時代愛情的輪廓，他們分別是「社青和酒女」、「男人和妻子」、「老人和校花」以及「女人和男孩」。
希望每個觀眾都可以在這四段關係中，找到自己生命記憶中的一段過往；或者，正在面對的進行式…… Eight characters; four relationships; two outcomes; and one result. CHENG,WEI-YEN and CHU TZU met in a street movement and become lovers when they were students. To keep on pursuing social justice they decided one of them will take care of bread-winning issues when the other can devote into their idea for the future. For 6 years they fought in hardship, yet eventually discovered the \"future\" can't escape from the shadow of present, and the \"present\" craves for affirmative future. HSU,CHENG and TING,WEI-WEI are enviable golden couple who both working in IT-industry. They keep an open-marriage for years. Turning the age of 36, they had to ask: if marriage is a logical choice, what about having babies? Li lost his wife in his middle-age and he never re-married until a new residence moved into the elderly home he lives. She was his middle school beauty, goddess in his youth dream. Li decides to take a chance to embrace Zhang into his limited live, and it turned out to be the end of love. KAO,SHAO-WEI had a crash on his high school English teacher LI,YI-LUN, and he braced up to pursue YI-LUN when he bumped into her years after his graduation. Her beauty and melancholy are mysterious and fascinating as ever. It remains mystery to SHAO-WEI why people can be physically, intimately combined, while the relationship was not?
希望每個觀眾都可以在這四段關係中，找到自己生命記憶中的一段過往；或者，正在面對的進行式…… Eight characters; four relationships; two outcomes; and one result. CHENG,WEI-YEN and CHU TZU met in a street movement and become lovers when they were students. To keep on pursuing social justice they decided one of them will take care of bread-winning issues when the other can devote into their idea for the future. For 6 years they fought in hardship, yet eventually discovered the \"future\" can't escape from the shadow of present, and the \"present\" craves for affirmative future. HSU,CHENG and TING,WEI-WEI are enviable golden couple who both working in IT-industry. They keep an open-marriage for years. Turning the age of 36, they had to ask: if marriage is a logical choice, what about having babies? Li lost his wife in his middle-age and he never re-married until a new residence moved into the elderly home he lives. She was his middle school beauty, goddess in his youth dream. Li decides to take a chance to embrace Zhang into his limited live, and it turned out to be the end of love. KAO,SHAO-WEI had a crash on his high school English teacher LI,YI-LUN, and he braced up to pursue YI-LUN when he bumped into her years after his graduation. Her beauty and melancholy are mysterious and fascinating as ever. It remains mystery to SHAO-WEI why people can be physically, intimately combined, while the relationship was not?
突然想起来这部也是短片变长片的，短片吴慷仁有演，因为监制是吴慷仁的恩师李启源。
不知道想表达什么感觉更像是一部实验品但我喜欢柯佳嬿
生理上没有需求，纯粹爱一个人的爱情才TMD是真爱
赖雅妍的演技怎么就没得金钟奖呢，每一帧表演都完美，难道因为戏份较少吗？赖雅妍真的太适合演文艺片了，还那么会带戏。
成人世界的感情聚散都很正常
尽头是什么🤔
演技都很可以啊！但还是可以看出，老人的人生经历更丰富，能在表演中传递更多的情绪。对于柯佳嬿来说，这是她到那个时候演技的巅峰之作。简直不敢相信，一边在拍爱情偶像剧的她，回到制作条件并不好的小成本电视电影中，竟然能交出比五年前的小凝更好的答卷。但她爆发式的哭戏还是不行，时至今日也没能解决这个问题，不能不说是一个很大的缺憾。
为姐而来，整个组的演技基本全都在线，本子也有深度，很不错。
苦涩。
4.3 是期待值自以上的一部片子，爱情意味着好多遗憾吧。柯仙+1
感情中最可怕的，就是频率不同步，执着别的事情的时候想不到爱，想爱的时候爱已走远。
佳嬿和李淳居然演姐弟了……看了社青和酒女的cut，现实有时候就是这么无奈，爱走着走着就到了头
为柯姐姐看的。演技在线，雅妍也很棒～结构…整体…（《爱情的尽头》伍佰的磁带…and2010《艋舺》、《在夜的尽头》都在酒店上班～）
柯佳嬿和伍佰的缘分早已注定🤣还有姐姐是怎么做到又痞又美的🙃
很难说它到底是怎样的情节，所谓的爱情的尽头，是怎样的。难以说出口，无法评述。真正的爱情。他们真的是爱情么？我不是很确定，但是我知道，他们确实是走到了尽头，一段段感情，都没有走下去的可能了。很苦很涩。各个穿插片段 女生都好养眼 且张力明显大过于男性 似乎也能感受到女方总会在感情中付出的足够的多，却最终无法拥有长久。当然，老年那段我不加评判，夕阳恋短暂易逝，二人究竟是不是仅仅为了最后的陪伴而已。前三段，都让我觉得爱情真的好难，能够做最好最坚定的选择，或许，一开始就错了，之后再想好好继续，都只剩下默默的苦苦维持和自我痛苦吧。只愿爱情，没有尽头。或者，爱情的尽头不要尽是苦涩难挨。最后题外话，看到几个必娶女人角色，还是蛮亲切，只是这次真的一点都不好笑，仅剩无奈叹息和摇头了。无论怎样还是最爱柯佳嬿。