剧情介绍
当彼得·卡特发现他9岁的女儿成为镇上最有权势家庭的恋童癖家长的受害者时，他遭到了官方的抵制。 镇上新任命的校长彼得·卡特和他的妻子萨莉的九岁女儿让·卡特和她11岁的朋友露西尔在树林里玩耍，这时琼发现她丢失了装着“糖果”钱的钱包。露西尔告诉她，她知道哪里可以免费得到糖果，并把她带到一座气势恢宏的豪宅里，屋主老克拉伦斯·奥尔德贝里是一位70岁的瘦高个子男人，他一直从窗户望着姑娘们。那天晚上，琼睡不着，她告诉父母，奥德伯里让她和露西尔在他面前裸体跳舞，换取一些糖果。卡特提出了申诉，但当地警察局长哈蒙德上尉对琼的说法表示怀疑，并警告卡特，奥尔登贝里家族将小镇列入地图，在社区中的地位远远超过了新来的卡特尔家族。小奥尔登贝里还告诉卡特...
Jean Carter, nine-year-old daughter of the town's newly-appointed school principal, Peter Carter and his wife Sally, is playing in the woods with her 11-year-old friend Lucille, when Jean discovers she has lost her purse containing her "candy" money. Lucille tells her she knows where they can get sweets for nothing, and leads her to an imposing mansion, from which the owner, Clarence Olderberry, Sr., a tall, gaunt man of 70 has been watching the girls from a window. That night Jean, unable to sleep, tells her parents that Oldeberry made her and Lucille dance before him nude in exchange for some candy. Carter files a complaint, but the local police chief, Captain Hammond, is skeptical of Jean's story and warns Carter that the Oldenberry family put the town on the map and have far more standing in the community than the new-comer Carters. Oldenberry, Jr. also tells Carter that if he follows up on the complaint he may be certain that Oldenberry's lawyers will show Jean no mercy. In the ensuing trial, the defense lawyers confuse Jean, make her an uncreditable witness, and Oldenberry is acquitted, after the enraged Carter attacks him physically in court. While her parents are packing to leave town, Jean and Lucille again are playing in the woods, and are approached by Oldenberry, and the two girls flee in blind panic. Reaching a desolate lake, they find an old rowboat and attempt to escape in it, but the mooring rope is still attached to the shore. And Oldenberry is using it to pull the boat and the girls to him.
看过留痕
7.8 汉默精品啊，完整的悬疑开头引入，一段不错的法庭戏，最后那场追逐更是真的吓人啊，秒杀一大批恐怖片，加之本身讨论了一个当时并不流行的社会议题，整体水平还是很高的
太吓人了 这才是真正的恐怖片啊 过于真实无法承受
三星半；很出色的犯罪片，有恋童癖老头追赶小女孩的紧张戏份，也有孩子父母寻求正义过程中折射出的社会问题，甚至在不长的81分钟内还安排了一场完整的法庭戏，故事结束的干净利落，兼具可看性和思想性
黑白无聊后
这故事可能发生在任何一个地方
两个小萝莉露西尔和珍去别人家要糖果。恋童老头开门说“要糖果可以，先跳个脱衣舞再说”。之后法庭上这个老头也被判无罪。最后两萝莉骑车再次遇到这个老头时珍逃脱了，但是露西尔被老头鲨🔪了。太惨了
非常精彩的类型变奏，最后林中追逐，湖中逃生(太像初代杰森了！！）的桥段预示了后来slasher类型片的到来。
第一部hammer film
有点意思。
没想到汉默还出过社会性这么强的片子，恋童癖选材、受害者有罪论和对人不对事的逻辑谬误的批判都非常超前。情节跌宕起伏，角色情绪饱满，一个家庭对抗整个小镇，家庭剧、庭审、惊悚元素俱全。老Olderberry全程没有一句台词，只有窥视与蹒跚，化身成缓慢逼近的邪恶，与被塑造得极致纯洁的两个小女孩形成强烈反差。第三幕为了戏剧性选择类型化处理，放弃对深度的挖掘，比较突兀，但树林戏简直拍出了slasher片的味道
恋童癖变态就应该去死！恐怖氛围渲染很不错，恶人真的是太恶让人想给它两巴掌！
#indicator hammer# 英版片名是Never Take Sweets From A Stranger ，在那时候汉默就拍了一部抨击“受害者有罪论”的片，太有正义感也不像主流汉默片了，两个小女孩湖边遇害的几个主观视角镜头还不错
这是我看过的最恐怖的非恐怖电影之一
1960年发生的事现在还在发生，看的压抑。人类这个物种之中，下流丑陋猥琐的死逼糟老头子一代一代传承着，死也死不完。